{"id":161,"date":"2014-11-25T21:44:15","date_gmt":"2014-11-25T21:44:15","guid":{"rendered":"http:\/\/www.orogenetics.org\/?page_id=161"},"modified":"2023-03-04T09:02:22","modified_gmt":"2023-03-04T09:02:22","slug":"chronology","status":"publish","type":"page","link":"http:\/\/www.orogenetics.org\/?page_id=161","title":{"rendered":"chronology"},"content":{"rendered":"

             2023<\/span><\/h1>\n

continuation of “sound fields”<\/a> – <\/strong>youtube channel of ‘phonographic’ spaces
\n<\/span><\/p>\n

             2022
\n<\/span><\/h1>\n

taught “sonic-arts and sound engineering” course for the Desuup Skilling Program, Punakha, Bhutan
\nbegan “sound fields”<\/strong><\/a> project – youtube channel of ‘phonographic’ spaces<\/p>\n

             2021
\n<\/span><\/h1>\n

caretaker at Choying Dzong Gompa, Crestone Colorado
\ncompleted “ornaments of emptiness vol I”<\/a> as the jewel ship<\/p>\n

             2020
\n<\/span><\/h1>\n

completed “embers”<\/a> as the jewel ship
\n<\/span>completed “nine mornings”<\/a> & “the sublimating mirror”<\/a>
\n<\/span><\/p>\n

             2019
\n<\/span><\/h1>\n

worked for the Tibetan Library of Works and Archives media department – digitization of magnetic tapes and sound restoration.
\n<\/span><\/p>\n

             2018<\/span><\/h1>\n

Sonic-Arts Residency @ KALA BHAVAN, Visva Bharati, Santiniketan, West Bengal, India LINK<\/a><\/p>\n

             2017
\n<\/span><\/h1>\n

“Breaking Open the Ear” – <\/strong>immersive sound experience workshops at Polyphony Studios and Ashoka University, New Delhi, India – and created such workshop at Vaayu, Goa.
\n<\/strong><\/p>\n

“five elements along the ghats”<\/strong> – sponateous sound, performance, live-drawing actions along the Ghats of Varanasi\/Benares with ChiMuk, Suresh K Nair and Mukesh P Tiwarya.<\/span><\/span><\/p>\n

KIPAF17 <\/strong>– various onlocation recordings during Kolkata International Performance Art Festival – created portable sound installations for accompaniment and collaboration with other participants – created “Sleep Action” <\/strong>all night sound work for deep collective dreaming as part of KIPAF17 – Soundcloud Link<\/a>
\n<\/strong><\/p>\n

“temple recordings” – <\/strong>survey of temple acoustics of Hampi Temple Complexs, Hampi, India
\n<\/strong><\/p>\n

“intertwinings” – <\/strong>immersive sound experience in collaboration with Nikhl Chopra, Mithun Sheshagiri, ChiMuk, Enith Maria, Kuru Cirkus – HH Art Spaces Goa, India
\n<\/strong><\/p>\n

             2016
\n<\/span><\/h1>\n

Shifted to ‘Pelican Claim’ – a remote off-grid studio, cabin located at 3600′ in a remote valley near Talent, Oregon<\/strong><\/p>\n

             2015
\n<\/span><\/h1>\n

Ending of cycle of ‘research’ into Unusual “spiritual” groups located in southern Oregon.<\/p>\n

Began study of Longchempa and Dzogchen texts.<\/p>\n

             2014  <\/span><\/h1>\n

Moved to ‘the barnacle’ – Talent, Oregon<\/strong><\/p>\n

sabbatical period continues – reflection time among guides within the Siskiyou mountains of southern Oregon<\/p>\n

“the way of light”<\/a><\/strong> – immersive sound installation as part of collaborative ‘expanded cinema’ project with Shumona Goel, Tabasheer Zutshi and Avijit Mukul Kishore
\nC.K. Cama Hall – Kala Ghoda, Mumbai, India<\/p>\n

“Le Septi\u00e8me D\u00e9guis\u00e9 En Neuf<\/a>“<\/strong> \u200e- CD – published OBS, Rostov on Don, Russia
\ncd reflecting the period of change between September 2012 and September 2013 and my movement between Europe and the Pacific North West<\/p>\n

             2013  <\/span><\/h1>\n

Life-Art relocation experiment – Talent, Oregon<\/strong><\/p>\n

             2012
\n<\/span><\/h1>\n

Residency<\/strong>
\nVilla Waldberta – Feldafing (*Munich) Germany<\/p>\n

‘BARDO’<\/strong> – live six channel sound work for performance piece of Judith Egger – Munich, Germany<\/p>\n

\u2018FARNE\u2019<\/strong> for PLANTS TALK 2012 at the Botanischer Garten der Universita\u0308t Potsdam in Potsdam, Germany. {an eight-channel aleatoric composition for ferns}<\/p>\n

\u041a\u043e\u0440\u043b\u0438\u0433\u043e\u043d<\/a><\/strong> \u200e(with Hitoshi Kojo and Yannick Dauby) – CD – published OBS, Rostov on Don, Russia<\/p>\n

             2011  <\/span><\/h1>\n

Personal assistant to Catherine Christer Hennix<\/a><\/p>\n

Presentation of ‘Frozen Illuminations’ <\/strong>on WDR german radio.<\/p>\n

\u2018WATCHTHINGSGROW\u2019<\/strong><\/a> for PLANTS TALK 2011 at the Tropical Botanical Garden of Witzenhausen, Germany. {an eight-channel aleatoric composition for ferns}<\/p>\n

             2010  <\/span><\/h1>\n

Leuvan, Lyon, Madrid, Valencia<\/strong>
\nPerformances in duet with Manu Holterbach<\/a>.<\/p>\n

Geneva, Milan, Vittorio Veneto, Genova, Bologna, Roma, Torun<\/strong>
\nPerformances in duet with Francesco Cavaliere<\/a> (as MOLLUSCA).<\/p>\n

Monza, Italy<\/strong>
\nPerformance collaboration with Adrian Shephard<\/a> (with Francesco Cavaliere<\/a>) during the Harta Art Action<\/a> event<\/p>\n

Kemio Island, Finnland<\/strong>
\nMeeting and improvisation with Shakuhachi with Antti Tolvi<\/a>.<\/p>\n

Jokkmokk, Sweden<\/strong>
\nRecording work and performance with Nina Valhberg.<\/p>\n

Cazalla, Spain<\/strong>
\n‘intro:muros’ festival – solo performance.<\/p>\n

Berlin, Germany
\n<\/strong>Curating and hosting a series of ‘Listening Salons<\/a>‘ at Grimmuseum.
\n<\/strong><\/p>\n

Extension of visa and slow growth of projects – including extensive collaborations with Francesco Cavaliere<\/a>, Marcel T\u00fcrkowsky<\/a>, Christopher Kline<\/a> (in collaboration with his ‘Snakebraid’ project).<\/p>\n

Meetings with C.C. Hennix<\/a> and Ganesh Anandan<\/a>.<\/p>\n

Cassette – Solar Night<\/strong> published on Mirror Tapes <\/a>(kuala lumpur , malaysia)<\/p>\n

Cassette – Hiding in a Church<\/strong> (St. Maurice with Jason Honea<\/a>) published on Nothing Out There<\/a> (france)<\/p>\n

CDr – Frozen Illuminations<\/strong> published on Nothing Out There<\/a> (france)<\/p>\n

             2009  <\/span><\/p>\n

 <\/div>\n

Berlin, Germany<\/strong>
\nRelocated from Brussels to Berlin in spring. Began to establish visa and working base. regular sound improvisation with butoh dancers. Begun regular meetings with Werner Durand<\/a>.<\/p>\n

Valencia, Spain<\/strong>
\nParticipation in the OBSERVATORI 2009<\/a> festival in collaboration with Loren Chasse<\/a>.<\/p>\n

Delemont & Porrentruy, Switzerland<\/strong>
\n‘Pont Sonore BelJu<\/a>‘ event – installation & performance.<\/p>\n

La Pommerie, France<\/strong>
\nfive week residency with KODAMA<\/a> – documentation: part one<\/a>,part two<\/a>, final exhibit<\/a><\/p>\n

Berlin, Germany<\/strong>
\nVarious events organized through winter: performances withHOKURO<\/a> and Julia Vitalis<\/a>, public action STANDING WAVES<\/a> at Radio Aporee, solo installation\/performance SEPIA DREAM<\/a> at Grimmuseum opening. Meetings with Hillary Jeffery<\/a>, Francesco Cavaliere<\/a>.<\/p>\n

12″ vinyl – Turning Leaf Migrations<\/strong> with KODAMA<\/a> published onOlde English Spelling Bee<\/a> (brooklyn, ny)<\/p>\n

CD – Golden Shadow<\/strong> with Jatin Vidyarthi published on Semperflorens (russia)<\/p>\n

CD – Moriendo Reniscor<\/strong> with Seijiro Murayama<\/a> published on Xing Wu<\/a> (klang, malaysia)<\/p>\n

CD – An Opening of the Earth : Recovered<\/strong> with Martin Franklin<\/a> published on Faria<\/a> (st. petersburg, russia)<\/p>\n

             2008  <\/span><\/h1>\n

Bombay, India<\/strong>
\n<\/span>sound design for shumona goel’s ‘family tree<\/a>‘<\/p>\n

Varanasi, India<\/strong>
\nStudied <\/span>Khayal<\/a> music with Pashupati Nath Mishra<\/span><\/p>\n

Bhopal, India<\/strong>
\nDhrupad<\/a> vocal residency with the Gundecha Brothers<\/a><\/p>\n

Ghent, Maastricht, M\u00fcnster, Berlin<\/strong>
\ntour of ‘mnemonic debris 08’ @ courtisane<\/a>, audioscoop<\/a>, auf abwegen event<\/a>, das kliene field recording fest<\/a><\/p>\n

Loitz, Germany<\/strong>
\n‘peeneaale2008<\/a>‘ installation of 40-channel sound system for an event organized by Mike Hentz<\/a> & co<\/p>\n

Berlin, Germany<\/strong>
\ncollaborative sessions with a number of people – including Ben Owen<\/a>, Jason Honea<\/a>, Melanie Velarde<\/a>, Sachiyo Honda, Marcel T\u00fcrkowsky<\/a>, Benjamin Aman<\/a><\/p>\n

Brattleboro, Vermont<\/strong>
\nsound design for John Digeorge’s REDBELLY<\/a><\/p>\n

‘the otolith’<\/strong> – with Loren Chasse<\/a> published on Helen Scarsdale<\/a> (san francisco, california)<\/p>\n

             2007  <\/span><\/h1>\n

Living in various places in France
\n<\/span><\/strong>volunteering @ Nalanda Monastery<\/a>, Lavaur and Dhamma Mahi<\/a>, Champignelles. living in Lormes<\/p>\n

Beginning study of Shakuhachi<\/a><\/p>\n

Brussels, Belgium<\/strong>
\nsessions with Sabri Meddeb and Fred Marbaix<\/a>Antwerp, Belgium
\n‘Suspension Work for INBETWEEN’ compostion for dance company Wego<\/p>\n

Toronto & Indianapolis<\/strong>
\nKODAMA<\/a> performances<\/p>\n

New York, New York<\/strong>
\n‘membrane seeding’<\/strong> sound\/video installation @ Whitebox<\/a> & performance for PERFORMA<\/a><\/p>\n

Goa, Kerala, Tamil Nadu, India<\/strong>
\ntravel and residency @ Adishakti Theater Arts<\/a><\/p>\n

             2006  <\/span><\/h1>\n

Ending of project with CLOUDMIRROR<\/span><\/p>\n

Brussels, Belgium<\/strong>
\nresidencies @ Nadine & Bain Collective. various performances solo and as KODAMA<\/a><\/p>\n

Lausanne & Geneva, Switzerland<\/strong>
\nEMANATE performances (wtih Hitoshi Kojo<\/a>, Yannick Dauby & Wan-Shuen Tsai)<\/p>\n

Prague, Czech Republic<\/strong>
\nlive performance<\/a> @ Skolska Gallery<\/p>\n

Berlin, Germany<\/strong>
\n‘erase and reset’12 hour improvisational session with seven other improvisors<\/p>\n

Ljubliana, Slovenia<\/strong>
\nlecture ‘Sound as Experience’ @ Famul Stuart<\/a><\/p>\n

Herne, Germany<\/strong>
\n‘mnesis’ – installation of 10channel sound work.<\/p>\n

New Delhi, India<\/strong>
\nresidency and presentation of ‘sound pagoda nr.1<\/a>‘ @ KHOJ workshop<\/a>.<\/p>\n

Khajuraho, Varanasi, India<\/strong>
\ntravel – met Michael<\/a> and Charlotte<\/a> Cain<\/p>\n

miniCD – GO<\/strong> published on ferns
\n(paris, france)<\/p>\n

CD – automnal 2003 published on and\/OAR<\/a> (seattle, washington)<\/p>\n

             2005  <\/span><\/h1>\n

Epesses, Switzerland
\n<\/span><\/strong>Art direction and curation of seven CD releases on CLOUDMIRROR<\/p>\n

Fribourg, Switzerland<\/strong>
\n‘medusa’ live KODAMA<\/a> performance organized with My Cat Is an Alien<\/a><\/p>\n

Geneva, Switzerland<\/strong>
\ncurated VERNALflux all night performance (featuring Giancarlo Toniutti<\/a>, jgrzinich & eku<\/a>, Shejingren<\/a> and Jonathan Coleclough and Geoff Sawers<\/a>)<\/p>\n

Estonia, Finland, Norway and Sweden<\/strong>
\ntravel, performances, improvisations. meetings with Lau Nau<\/a>, fonal records folks<\/a><\/p>\n

S\u00f5merpalu, Estonia<\/strong>
\nSUVEflux performance of all night sound with Hitoshi Kojo<\/a>, Loren Chasse<\/a> and John Grzinich<\/a><\/p>\n

Lille, France<\/strong>
\n‘withinside’ – installation of 12channel sound work.<\/p>\n

CDr – les chambres nuageuses<\/strong> as KODAMA<\/a> published on Octpia<\/a> (japan)<\/p>\n

CD – porous<\/strong> published on Sound Mirror (cully, switzerland)<\/p>\n

CD – molecular knot phase one<\/strong> published on Cloud of Statics (cully, switzerland)<\/p>\n

\n

             2004  <\/span><\/h1>\n<\/div>\n

Astoria, Oregon & San Francisco, California<\/strong>
\nsolo sound performances<\/p>\n

Epesses, Switzerland<\/strong>
\nliving and working to develop a residency center in Switzerland<\/p>\n

Switzerland, France, Italy<\/strong>
\ntour with Loren Chasse<\/a><\/p>\n

Geneva, Switzerland<\/strong>
\nPerformance in Parc Promenade du Pin
\nduring Fete de la Musique organized by Cave12<\/a><\/p>\n

Hyvinkaa, Finland to Mooste, Estonia<\/strong>
\n‘Forage’ collaboration\/meeting with performance artist Tero Nauha<\/a> and nomadic visionary Lars Larsson<\/p>\n

Met Maksims Shentelevs<\/a>, Jan Anderzen<\/a><\/p>\n

Epesses, Switzerland<\/strong>
\nMet Hitoshi Kojo<\/a>and began project KODAMA<\/a><\/p>\n

Evreux and Paris, France<\/strong>
\nTouring performances with ENTRELACS<\/a><\/p>\n

Lausanne, Switzerland<\/strong>
\n‘les chambres nuageuses’<\/strong> installation and performance of KODAMA<\/a> @ Theatre Arscenic<\/p>\n

CD – memoirs of four discarded objects – <\/strong>published from Editions… (atlanta, georgia)<\/p>\n

CD – wormwood<\/strong> (with Joel Stern<\/a> ) was published from Groundfault (downey, california)<\/p>\n

\n

             2003  <\/span><\/h1>\n<\/div>\n

London, England<\/strong>
\nliving and working with artists and improvisors. participated in the Eddie Prevost<\/a> improv workshops.
\ncollaboration with artist Judith Egger<\/a><\/p>\n

Li\u00e8ge, Aachen, T\u00fcrnich, R\u00f6srath<\/strong>
\nliving with various friends<\/p>\n

Beginning to practice Vipassana Meditation<\/a><\/p>\n

Epesses, Switzerland<\/strong>
\ninvitation to live and work in Switzerland<\/p>\n

Beginning of project with CLOUDMIRROR<\/p>\n

Met and began collaborations with Seijiro Murayama<\/a><\/p>\n

Glacier du Trient, Switzerland<\/strong>
\ncollaborated with Yannick Dauby<\/a> for recordings and installations taking place on glaciers<\/p>\n

Montr\u00e9al to Portland, Oregon via New Mexico<\/strong>
\ntravel and meeting with artists. Met Jonathan Benham<\/a>, Steve Brand<\/a>, Voice of Eye<\/a>& Loren Chasse<\/a><\/p>\n

CDr – andapa<\/strong> with Judith Egger<\/a> was published from Edition Graphon (munich, germany)<\/p>\n

CDr – molt and anecdote<\/strong> (solo) and underleafas ENTRELACS<\/a> was published from S’agita (italy)<\/p>\n

7″ – cynorrodon<\/strong> as ENTRELACS<\/a> was published from Drone records<\/a> (bremen, germany)<\/p>\n

\n

             2002  <\/span><\/h1>\n<\/div>\n

Grenoble, France<\/strong>
\nliving and working @ Brise Glace<\/a> artist collective<\/p>\n

Nice, Grenoble, Paris<\/strong>
\nTouring performances with ENTRELACS<\/a><\/p>\n

Amsterdam, Netherlands<\/strong>
\nresidency & performance @ STEIM<\/a> as ENTRELACS<\/a><\/p>\n

New York, New York<\/strong>
\nlive sound performance @ Experimental Intermedia<\/a><\/p>\n

Port Townsend, Washington<\/strong>
\nresidency @ Centrum arts center<\/a><\/p>\n

Portland, Oregon to Montr\u00e9al via New Mexico<\/strong>
\nmovement<\/p>\n

Montr\u00e9al, Canada<\/strong>
\nlive sound work as part of ‘blank_field<\/a>‘<\/p>\n

Reading, England<\/strong>
\nwith Jonathan Coleclough<\/a> for ‘sea change’ project – later aborted due to flooding in Leipzig<\/p>\n

London, England<\/strong>
\nRadio shows on Resonance FM<\/a>. Met Patrick McGinley<\/a>, Joel Stern<\/a><\/p>\n

Valletta, Malta<\/strong>
\nlived two months exploring archeological sites and composing work for Kunstradio ORF<\/a> –GEBEL<\/a><\/p>\n

CDr – a great and riverless ocean<\/strong> was published from Mystery Sea<\/a> (brussels, belgium)<\/p>\n

\n

             2001  <\/span><\/h1>\n<\/div>\n

Portland, Oregon<\/strong>
\nBegan study of Kirana Ghrana<\/a> singing with Michael Stirling (student of Pandit Pran Nath)<\/p>\n

‘animating stillness’<\/strong> – installation about low frequencies with Jesse Engum<\/a> @ the PNCA<\/a>‘the posture queen<\/a>‘ – sounddesign for Hand2Mouth theater with Seth Nehil<\/a><\/p>\n

Prindle, Washington<\/strong>
\n‘nexus of sensibility’ – 13 hour body\/site\/material action performance<\/p>\n

St. P\u00f6lten, Austria<\/strong>
\n‘circulating phases’ – installation @ the KLANGTURM<\/a><\/p>\n

Udine, Italy<\/strong>
\nstaying with John Duncan<\/a> and Giuliana Stephanie at the time of 9-11. Decision to stay on in Europe.<\/p>\n

Grenoble, France<\/strong>
\nliving and working @ the Brise Glace<\/a> artist collective met Yannick Dauby<\/a>, Manu Holterbach and Sophie Durand<\/a> and many others.<\/p>\n

Nice, France<\/strong>
\nlecture @ Villa-Arson<\/a>, began project ENTRELACS
\n<\/a>
\nCD – :coyot:<\/strong> was published from Erewhon (li\u00e8ge, belgium)<\/p>\n

CD – from within the solar cave<\/strong> was published from Absurd records (athens, greece)<\/div>\n
\n

             2000  <\/span><\/h1>\n<\/div>\n

Portland, Oregon<\/strong>
\nliving and working as a temp graphic production artist<\/p>\n

Prindle, Washington<\/strong>
\nhelped to organize a series of full participation weekends at Theodore Holdt<\/a> and Sara Mapelli’s home in the columbia river gorge<\/p>\n

Seattle, Washington and Valencia, Spain<\/strong>
\n‘entering molecular streams’ – 12 channel installation of aeolian sound sources at the Arts in Nature and Observatori festivals. met Dale Lloyd<\/a><\/p>\n

Rome, Innsbruck, Vienna<\/strong>
\n‘slow red, circulating green’ solo sound performances<\/p>\n

Dublin, London<\/strong>
\nduet performances with Michael Prime<\/a>. Sessions also with Fergus Kelly<\/a> and Morphogenesis<\/a><\/p>\n

CD – belle confusion 0247<\/strong> with Francisco L\u00f3pez<\/a> was published from .absolute. records (seattle, washington)<\/p>\n

12″ – many rivers move along the surface of the magnet<\/strong> was republished from ERS (amsterdam, netherlands)<\/p>\n

CDep – breathing towers<\/strong> was published from Dorobo records<\/a> (victoria, australia)<\/p>\n

\n

             1999  <\/span><\/h1>\n<\/div>\n

Portland, Oregon<\/strong>
\nliving and working as a temp graphic production artist<\/p>\n

met Bobbin John Michael Eirth<\/a> first time to work with sound on a computer.<\/p>\n

Began work for many projects – including :coyot:, from within the solar cave.<\/p>\n

began correspondence with Giancarlo Toniutti<\/a><\/p>\n

CD – fibres<\/strong> was to be published from Gnome records (york, england) – and was shelved<\/p>\n

2 x 12″ lp – amalgam<\/strong> with ORA (Darren Tate<\/a> and Colin Potter<\/a>) was published from Editions… (atlanta, georgia)<\/p>\n

\n

             1998  <\/span><\/h1>\n<\/div>\n

Austin, Texas<\/strong>
\n‘still born and incandescent’ physical action with ERG sound performance<\/p>\n

‘harvest of vectors’<\/strong> long wire installation & ERG performance – live performance included Josh Ronsen<\/a><\/p>\n

San Jos\u00e9, Costa Rica<\/strong>
\ntravel to ecological research center with Francisco L\u00f3pez<\/a> and solo performance in San Jos\u00e9<\/p>\n

Lavaud Pacaud, France<\/strong>
\n‘le nid’ long wire installation & ERG performance @ event organized by C\u00e9dric Peyronnet<\/a><\/p>\n

Linz, Austria<\/strong>
\nlast ERG performance<\/p>\n

Helsinki, Finland<\/strong>
\n‘filtering the current’ – seven wind harps installed on Suomenlinna Island<\/a> and amplified in an old bunker. Presentation and lecture @ Sibelius Academy<\/a>. This is the source for the composition :coyot:<\/p>\n

Hamburg, Li\u00e8ge, Caen, Paris, Wroclaw<\/strong>
\nsolo sound performances – significant meetings with Slavek Kwi<\/a>, Pierre Berthet<\/a>, Patrick Delges<\/a>, Eric Cordier<\/a>, Eric LaCasa<\/a><\/p>\n

Kathmandu, Pokhara, South Mustang – Nepal<\/strong>
\ntravel and field recording<\/a><\/p>\n

York and Preston, England<\/strong>
\nMeetings with Darren Tate<\/a> and Colin Potter<\/a>.<\/p>\n

\n

             1997  <\/span><\/h1>\n<\/div>\n

Austin, Texas<\/strong>
\nperformances with Carmen Resendez, John Grzinich<\/a> and Seth Nehil<\/a><\/p>\n

‘the center cannot hold’<\/strong> live sound performance with visuals by Luke Savisky<\/a><\/p>\n

‘the stomach of the sky’<\/strong> 4-hour minimal improvisation @ Ellen Fullman<\/a>‘s Candy Factory studio – release event for the CD.<\/p>\n

Intensive research into Rene Daumal<\/a> begins – as well as collective discussions about David Bohm<\/a>, Rupert Sheldrake<\/a>, J. Krishnamurti<\/a>, and further topics.<\/p>\n

Significant attendance to Ilya Prigogine’<\/a>s lecture series on Indeterminacy in New Science<\/a>.<\/p>\n

Significant meeting Stan Brakhage<\/a><\/p>\n

\u2018chakraphonics\u2019<\/strong> \u2013 Live sound processing during seven hour performance with Linda Montano<\/a> and Ellen Fullman<\/a>\u2018suk\u2022kah (shelter)\u2019 \u2013 Live sound work for dance-theater performance choreographed by Bryan Green<\/p>\n

CD – Stomach of the Sky<\/strong> was published from Staalplaat (amsterdam, netherlands)<\/p>\n

\n

             1996  <\/span><\/h1>\n<\/div>\n

Seattle, Washington<\/strong>
\nBegan regular ‘camping & recording’ sessions – culminating in Acoustic-Geographic Surveys<\/a>Met Jeph Jerman<\/a>, Golden Climax Twins<\/a>‘\u2018five dreams from below the great magnetic bight\u2019 – an installation of wire drone devices @ Wall of Sound.<\/p>\n

Recordings for Stomach of the Sky<\/strong> were made.<\/p>\n

Austin, Texas<\/strong>
\nreturned to to Texas – met Josh Ronsen<\/a>, Rick Reed<\/a> among others. Invited John Grzinich<\/a> do a sound project together. Later to be called ‘ERG’<\/p>\n

Busswil & Bern, Switzerland<\/strong>
\none month residency with John Grzinich<\/a>‘nine irregular waves with perpendicular interference collectors’ a multiple long wire installation @ Berner Gallery<\/p>\n

Florence, Longiano, Caen, Nijmegen, Koblenz, Hamburg, Bydgoszcz, Worclaw, Leipzig<\/strong>
\nERG tour – met Luca Miti<\/a>, Francesco Michi<\/a>, Johannes Dimpflmeier, Felix Kubin<\/a>, Uli Rehburg, Mike Hentz<\/a>, Klaus-Peter John, Bernhard G\u00fcnter<\/a><\/p>\n

mastering of Stomach of the Sky<\/strong> at B. G\u00fcnter’s<\/p>\n

7″ – Condensation<\/strong> published on Povertech (Sacramento, california)<\/p>\n

             1995  <\/span><\/h1>\n

Prague, Czech Republic<\/strong>
\nworked as a graphic designer<\/p>\n

began organizing events with Martin Jan\u00edcek<\/a> sound works for theater group Teatr Novogo Fronta<\/a><\/p>\n

made first wire installation ‘ebb I’<\/strong> @ Alternativa Komotovka<\/p>\n

Amsterdam, Netherlands<\/strong>
\nstayed at an artist community<\/p>\n

Madrid, Spain<\/strong>
\nvisited with Francisco L\u00f3pez<\/a><\/p>\n

Morocco, Spain, France, Netherlands, England, Austin to Seattle<\/strong>
\nnon-stop movement across various landscapes in a period of a few weeks<\/p>\n

origin of the word OROGENETICS<\/a> Seattle, Washington
\nmet with artists such as Key Ransone<\/a>, Daniel Menche<\/a>, Eric Lanzilotta<\/a>.Installed wire piece ‘ebb II’ @ Cornish College<\/p>\n

Cassette – Many Rivers Move Along The Surface Of The Magnet<\/strong> published on Isomorphic (seattle, washington)<\/p>\n

\n

             1994  <\/span><\/h1>\n<\/div>\n

Austin, Texas<\/strong>
\nvery active with organizing and curating events:<\/p>\n

‘paragon5’<\/strong> minimalist improvisation with 4 performers with Carmen Resendez, John Grzinich<\/a>, David Avery’four of one’ physical action performance between four performers on a railway yard with Carmen Resendez, David Avery and Kerthy Fix’4:15am’ body\/film\/material action with Kerthy Fix<\/p>\n

Met Seth Nehil<\/a>, Olivia Block<\/a> – made ‘tunnel’ sessions<\/p>\n

Co-organized and curated INTERSECT<\/strong> multimedia eventBegan to focus on drones and wires as an entry point to sound.<\/p>\n

Location for Breathing Towers<\/strong> found – first try to record with Robert Ovetts and Adam Wiltze<\/a> (interruped by surreal car crash) – master stereo recording done months later<\/p>\n

Austin, Houston, New Orleans<\/strong>
\nspontaneous action performance for Crash Worship<\/a><\/p>\n

London, England<\/strong>
\nmoved to work with graphic designers. stayed with folks from Praxis Records<\/p>\n

Cassette – The Will to Dissolve<\/strong> – unpublished<\/p>\n

\n

             1993  <\/span><\/h1>\n<\/div>\n

Austin, Texas<\/strong>
\nBegan to further develop my ‘organic-feedback’ techniques for producing sound from very low tech sources.<\/p>\n

Made many Sound-Poetry experiments – formed the group ESOPHAGUS<\/p>\n

spontaneous action performance for Crash Worship<\/a><\/p>\n

Met John Grzinich<\/a><\/p>\n

live performance with Francisco L\u00f3pez<\/a><\/p>\n

CD – Opening of the Earth<\/strong> with Martin Franklin<\/a> was published on SDV (d\u00fcsseldorf, germany)<\/p>\n

             1992  <\/span><\/h1>\n

Frankfurt, Zurich, Bern, Bordeaux, Berlin, Prague, Budepest
\n(Germany, Switzerland, France, Czech and Hungary)<\/strong>
\nMet Marc Behrens<\/a>, Rudolf Eb.er<\/a>, Joke Lanz<\/a>, Guido Hubner & Isabelle Chemin<\/a>, Dead Chickens<\/a>, among many others.<\/p>\n

made live performance with Marc Behrens @ Neu-Klang festival<\/p>\n

live sound work with CO Caspar’s self made instruments<\/p>\n

Austin, Texas<\/strong>
\nmoved back to work more with N D magazine.<\/p>\n

Lived in a van for six months.<\/p>\n

‘Squaring the Circle’<\/strong> – Video –  -published on a video compilation from Switzerland.<\/p>\n

‘Opening of the Earth’ <\/strong>
\n‘Ground’<\/strong> – Cassettes – (mixed at Rudolf Eb.er and Marc Behren’s studios)
\npublished while traveling from SFCR (Bordeaux, France)<\/p>\n

\n

             1991  <\/span><\/h1>\n<\/div>\n

Continue work with N D magazine. Graphic Design and reviewing new music<\/p>\n

first year of travel and life-school, meetings with international artists<\/p>\n

Mexico<\/strong>
\nseminal first travel alone outside of the united states. spent five weeks from northern Mexican ghost town of Real de Catorce<\/a> to Palenque<\/a> in Chiapas. Witnessed a 5+ min total eclipse at San Blas<\/a><\/p>\n

Bloomington, Indiana<\/strong>
\nMixed and edited the video edition of N D nr.11<\/p>\n

Left with a one-way ticket to Europe – traveled by hitchhiking for 10 months.<\/p>\n

London, Windsor and Newcastle, England<\/strong>
\nMet with Martin Franklin<\/a>, Shaun Caton<\/a>, Andr\u00e9 Stitt<\/a>, Ben Ponton<\/a>, Robin Storey<\/a>, Nigel Ayers<\/a>.<\/p>\n

Recording Opening of the Earth at Martin Franklin<\/a>‘s<\/p>\n

Linkebeek, Nijmegen, Henglo, R\u00f6srath (Belgium, Netherlands, Germany)<\/strong>
\nMet Volker Hamann<\/a>, EXTRApool folks<\/a>, various mail artists, Mary Bauermeister<\/a><\/p>\n

Berlin, Prague (Germany, Czechoslavakia)<\/strong>
\nMet Karla Sachse<\/a>, CO Caspar<\/a>, many young artists from the Prague Academie<\/p>\n

\n

             1990  <\/span><\/h1>\n<\/div>\n

Austin, Texas<\/strong>
\nrelocation number one<\/p>\n

first involvement with N D magazine<\/a> – first meetings with Daniel Plunkett<\/a> and Rob Forman<\/a><\/p>\n

helped performances in Texas of: Zoviet-France<\/a>, The Hafler Trio<\/a>, Zbigniew Karkowski<\/a>, Phauss<\/a>, G.X. Jupitter Larsen<\/a> during this time<\/p>\n

began first recordings using radio and primitive electronics<\/p>\n

helped with the production of UNDERCURRENTS exhibit – a history of underground cassette culture<\/a>  at MexiArte, Austin, TX<\/p>\n

first live sound performance @ UNDERCURRENTS<\/p>\n

first publication –
\n‘Another Object’<\/strong> – cassette – self-published
\ndocumenting the first sound performances and collaborations<\/p>\n

\n

             1989  <\/span><\/h1>\n<\/div>\n

Bloomington, Indiana<\/strong>
\nattended Indiana University for one year:<\/p>\n

studied Experimental Printmaking, Performance art (with Jean Paul Darriau<\/a>) and Video Art<\/p>\n

produced many videos for local access television – documenting performances, dreams and further research into independent art movements.<\/p>\n

collaborations and meetings with local artists including painters, musicians and performance artists – including Bart Everson<\/a>, Amanda Waggoner<\/a><\/p>\n

further experiments with cassette four-track<\/p>\n

published a small booklet (zine) of artwork with Amanda Waggoner – ‘Regurgitate’<\/p>\n

\n

             1988-1986  <\/span><\/h1>\n<\/div>\n

first travel to Europe during a short middle-school field trip<\/p>\n

Indianapolis, Indiana<\/strong>
\ndiscovery and personal research into avant guard artistic movements – from dadaism to ‘industrial’ music. seminal discovery of the works of <\/span>Brion Gysin<\/a>, and <\/span>William Burroughs<\/a>.<\/span><\/p>\n

formative artistic practice – action painting, sculpture and naive performance work<\/p>\n

first experiments with tape recorders<\/p>\n

\n

             1985-1972  <\/span><\/h1>\n<\/div>\n

growing up in Indianapolis, Indiana
\namorphous mid-west american childhood<\/p>\n

two significant journeys to the west coast passing through the deserts of the southwest and the rocky mountain regions of the united states<\/p>\n

much time spent traveling around the mid-west with father’s auto-racing and extensive model airplane & helicopter activities<\/p>\n

\n

             1971-1970  <\/span><\/h1>\n<\/div>\n

Born – Murray, Utah (1970)
\n<\/strong>perinatal<\/a> experiences
\nson of a retired sprint car driver. mother and father from farming communities in rural indiana. two older brothers and two older sisters<\/span><\/p>\n

earliest memory of family travel from Murray, Utah to the Pacific Coast in Mexico – distinct identification with mountains and desert landscapes attributed to this time<\/p>\n

\n

             pre-1970  <\/span><\/h1>\n<\/div>\n

not possible to locate
\nnon-corpreal pre-identification with the unmanifest<\/p>\n

 <\/p>\n

BACK TO TOP<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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